Edvard Andersson - a modern colour explosion: Part II
Stockholms Auktionsverk Fine Art — Stockholm, Sweden
August–August 2024
In 1956, around 500 of Andersson's works were showcased in a major solo exhibition at the prestigious “Den Frie Udstillning” in Copenhagen. Many of the works now being auctioned at Stockholms Auktionsverk were part of that exhibition, including "Kalejdoskop," "Rythmus," and "Havsgeometri." These pieces feature kaleidoscopic compositions that blur the sense of time and space, merging the concrete with the abstract. Skåne remained Andersson's home base. He lived in the culturally rich city of Helsingborg, had a summer studio at the dramatic Hovs Hallar, and connected with other artists and cultural figures in the fishing village of Knäbäck on Österlen. Andersson was one of those artists who truly “lived with a pen in hand.” His family has shared that he would keep drawing during Sunday dinners and walks, a testament to both his calling and passion. In addition to art, Andersson was interested in philosophy, mathematics, and, above all, the people around him, which is evident in the personal interpretation of his work.
During his lifetime, Edvard Andersson was a largely unknown figure to the broader public. Besides the exhibitions mentioned above, he held exhibitions in Stockholm and Malmö, as well as posthumously in Paris and Florida. Andersson received more recognition abroad than in Sweden, with mentions in leading journals such as “La Quotidienne,” “Le Peintre,” “Nouveaux Jours,” and “La Revue.” Finally, in Sweden, the spotlight is once again on him, with this auction’s exhibition allowing us to follow his artistic phases.
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